Thursday, 23 December 2010
Wednesday, 22 December 2010
Friday, 10 December 2010
Artist: Tujiko Noriko
Label: Editions Mego
Tujiko Noriko is a Japanese musician making glitchy ambient beats with a uniquely quirky touch. She is often compared to Piana, but this is incredibly misleading as her music is far more concrete and decidedly electronic, as opposed to Piana's relatively lush arrangements that use electronics in the context of creating gentle ambience. Solo is Tujiko's sixth full-length album and shows yet another mutation in her style; while Shojo Toshi, Make Me Hard and From Tokyo to Naiagara all had their dark moments, Solo is possibly her deepest, murkiest album to date.
Album opener, the plunging, doom-laden 'Magic' sets the tone for the rest of Solo; what sounds like broken turntables moan over a mechanically unromantic drum machine while an organ drones away in the background. As is always the case on her albums, Tujiko's melodies lull on seemingly without refrain, in an almost conversational style and without a hint of cutesy girlishness. Indeed, Tujiko's voice always seems to be placed between two opposing dualities; she suggests a certain naïvely playful approach to the productions, yet her control over the relationship between the music and her words clearly displays an omnipotence over the sound. While she explores a multitude of different styles through her warped musical vocabulary: weird electro-hip-hop ('In a Chinese Restaurant'), spoken word ('No Error in My Memory') and even veering into guitar-rock at one point ('Ending Kiss'), the album has a really cohesive feel even though it feels all over the place at the same time. The main guiding feature of the album is Tujiko's vocals and her bizarre and unconventional melodic structures, which is perhaps what allows the album to feel so much like a single unit. Even when compared to near-masterpieces like Make Me Hard, Solo really stands up on its own as a definitive item in Tujiko Noriko's ever-growing discography.
3) Ending Kiss
4) Let Me See Your Face
5) Saigo no Chikyu
7) No Error in My Memory
9) In a Chinese Restaurant
Download (link taken from thesirenssound.com. Password is sirenssound.blogspot.com)
Thursday, 9 December 2010
Wednesday, 1 December 2010
Sunday, 21 November 2010
Wednesday, 17 November 2010
Sunday, 14 November 2010
Thursday, 11 November 2010
Thursday, 4 November 2010
Wednesday, 3 November 2010
Thursday, 28 October 2010
NO-FI will release 'Echolalia' on October 18th 2010 as 12” vinyl with a booklet containing an essay by Tom Recchion of Los Angeles Free Music Society. The album is a live recording of a tape-loop orchestra led by Berlin-based artist Preslav Literary School and features contributions from Machinefabriek, Posset, Poldr and many others.
Preslav Literary School held two days of workshops on making tape-loops from compact cassettes in December 2009 at Star & Shadow Cinema, Newcastle-upon-Tyne. Participants then worked with the new archive of loops in front of a live audience in a performance involving multiple playback machines, mixers, real tape delays and live cassette manipulation.
Recalling the sounds of Faust, Popol Vuh, Throbbing Gristle, The Skaters and Broadcast the album draws on the energy of other decades and scenes as diverse as US underground noise, German krautrock and French musique concrète. At times melodic and blissful, at others dark and cut-up, the album seems to move beyond its constituent parts and methodology to reach something haunting and engaging. The album was mixed and mastered as it was played live, with no extra overdubs, by the cult Berlin dubstep producer Lord Cry Cry (Blunt Force Trauma).
The vinyl, whose packaging is based on vintage cassette design features commissioned artwork from Supanaught and photography from Marion Auburtin with a free digital download of all material, plus a bonus, exclusive Machinefabriek solo tape set from the same performance. Echolalia was supported by the National Lottery through Arts Council England.
As Preslav Literary School, Adam Thomas makes live tape collages using sounds drawn from an ever- growing archive of self-generated or discovered outsider noise, found sound and spoken word cassettes. A process of transference, overdubbing and live manipulation reworks these source materials into compelling, ambient broadcasts. Adam has released several albums and live CDrs, and played alongside Machinefabriek, Leif Elggren, Sudden Infant, Antoine Chessex, Matt Elliott, Shitty Listener & many others. He has toured the UK, Switzerland, Holland, Belgium and Poland and will play at 2010's flux/s and Shift festivals.
Artist Biographies: Introducing the players...
1. Machinefabriek (Rutger Zuydervelt) is one of the most exciting, diverse and prolific artists working in experimental music today. With over 100 multi-format releases in the last five years for labels such as Type Records, Lampse, Digitalis, Staalplaat (Mort Aux Vaches) and 12K, his resonant work has amassed a dedicated audience all over the world. [http://www.machinefabriek.nu/]
"His work nestles tantalising between genres, counterbalancing immersive swathes of ambient sound with astringent textural challenges and offsetting a predominantly electronic mode of production with an emotionally-charged smattering of found sounds and naked instrumentation." (The Wire)
2. Preslav Literary School (Adam Thomas) makes live tape collages using sounds drawn from an ever- growing archive of self-generated or discovered outsider noise, found sound and spoken word cassettes. A process of transference, overdubbing and live manipulation reworks these source materials into compelling, ambient broadcasts. Adam has released three albums, numerous live CDrs and played at venues and festivals throughout Europe.[http://www.preslavliteraryschool.co.uk]
"Like William Basinski's Disintegration Loops, Preslav Literary School focuses on creating something new and personal out of found sounds and dull, everyday happenings... wonder and amazement is conveyed through the sounds and a sense of otherworldly significance is given to the simplest of actions." (Sputnik Music)
3. Since visual artist and experimental musician Poldr (Benjamin Laurent Aman) relocated from France to Berlin, he has become one of the rising stars of the capital's established underground scene, marking himself out as a performer who deals with texture, frequency and field recordings with a distinct and unafraid ear. Founder of the cult Razzle Dazzle label, Benjamin is also one half of the French/US improv-duo Crystal Plumage. [http://www.benjaminlaurentaman.com/]
"Drawing equally from a contemporary droned madness and a hypnotizing minimalism.... A dense and harrowing musical experience." (Tomentosa Records)
4. Newcastle-upon-Tyne's Posset redefines cassette-based music for a new century. Freely releasing CD-Rs and tapes of sonic experiments, magnetic interruption and dislocated environmental recordings, Posset filters everything through a C60 haze that transforms the listening experience into something fragile and compelling. [http://www.myspace.com/iamposset]
"An impressive combination of hands-on tape manipulation and outsider guitar self struggle, leaden chime, bursts of tape movement and strung-out muzzled feedback." (Rock-A-Rolla)
5. Jamie Charlton is interested in all areas of sound manipulation but has a particular interest in analogue sound. His experiments with four-track tape recorders and cassette manipulation attempt to remove sounds from their original contexts and turn them into something different. Recently, he has been collecting field- recordings of everyday things and juxtaposing these sounds with instrumentation.
6. Benjamin Freeth's artistic practice explores the themes of movement, desire, the infinite and the finite, intimacy, emotions, ritual, delay, drone and significant memory. He performs with Helictite and has played alongside Faust, La Foxe, Aki Onda and Sunn O))). Ben is currently studying an MRes. Digital Media at Culture Lab, Newcastle University. [ http://www.filmmustburn.com]
7. WAMA is a multi-media collaboration between artists Bethan Maddocks and Steven Walker. Working together they share a desire to embrace concept and ethos over discipline. WAMA explore multiple artforms, creating new relationships between text, psychology and contemporary art production, with the aim to produce audience interventionist artworks. [http://www.50ftlonghorse.com]
8. Nick Williams completed a BA in Music and the Creative Arts with Performance Technology in 2001 and is currently researching electronic music in cross-disciplinary performance for his PhD at Newcastle University.
Nick has been co-director of the interdisciplinary performance group theybreakinpieces since its formation in 2004. [ www.virb.com/njw]
Wednesday, 20 October 2010
Friday, 15 October 2010
Thursday, 14 October 2010
Wednesday, 6 October 2010
Friday, 10 September 2010
Title: Almost Transparent Blue